Dry or dryness denotes a lack of water. It may also refer to:
Landry Delica better known by his stage name Dry (born 19 November 1977) is a French rapper of Congolese origin. He is also known by the aliases "L'Amiral" and "L'Intransférable".
Landry Delica grew up in Sevran in Seine-Saint-Denis, outside of Paris, where he was friends with the rapper Nessbeal before moving in 1991 to Orly in the Val-de-Marne.
In addition to his solo work, Dry is a member of French rap group Intouchable alongside band member Demon One (real name Hakim Sid). He is also part of the French rap collective Mafia K-1 Fry (sometimes stylized as Mafia K'1 Fry) alongside the other Intouchable member Demon One. Intouchable, Dry and Demon One had a lot of collaborations with other members of the collective.
As member of Mafia K-1 Fry, Dry took part in albums by rappers Ideal J, Rohff and 113 before releasing with Intouchable the 2000 album Les points sur les I. In 2004, he took part in the third album Rohff La fierté des nôtres and in the compilation Street Lourd Hall Stars with "La hass" featuring Kamelancien, de Bicêtre -94-, and Rohff. In 2005, Intouchable released their second album La vie de rêve with a joint title "La gagne" featuring Tonton David. Dry has also been featured on a number of Sexion d'Assaut rap band.
Dry is a Cantopop music duo that formed between 1997 and 1998 with Mark Lui (Chinese: 雷頌德) and Stephen Fung (Chinese: 馮德倫) as bandmates. The group was formed when Mark decided to create a band with himself and another person. After meeting Stephen through friends introductions, they agreed to start a music duo with Universal Music. A year after they formed, they decided to part ways to pursue different career paths. Mark continued as songwriter to many cantopop artists such as Leon Lai and Miriam Yeung. While Stephen started his career in acting and later shift toward to directing and producing Hong Kong films such as Enter the Phoenix.
Even the group only lasted about a year, they have produced 3 studio albums and one compilation album.
The word cargo refers in particular to goods or produce being conveyed – generally for commercial gain – by ship, boat, or aircraft, although the term is now often extended to cover all types of freight, including that carried by train, van, truck, or intermodal container. The term cargo is also used in case of goods in the cold-chain, because the perishable inventory is always in transit towards a final end-use, even when it is held in cold storage or other similar climate-controlled facility.
Multi-modal container units, designed as reusable carriers to facilitate unit load handling of the goods contained, are also referred to as cargo, specially by shipping lines and logistics operators. Similarly, aircraft ULD boxes are also documented as cargo, with associated packing list of the items contained within. When empty containers are shipped each unit is documented as a cargo and when goods are stored within, the contents are termed as containerised cargo.
Cargo is a 2006 thriller film. It was directed by Clive Gordon, produced by Andrea Calderwood and Juan Gordon, and written by Paul Laverty. The film features the actors Peter Mullan, Daniel Brühl, Luis Tosar, Samuli Edelmann and Gary Lewis.
Cargo tells the tale of a young man who has gotten into trouble in Africa and because of this he decides to stow away on a cargo ship leaving for Europe. During this voyage, sailors on the ship began to disappear with no apparent reason and the story turns more to the depraved life of the captain of the ship.
Cargo is a 2013 Australian short film directed by Ben Howling and Yolanda Ramke, written by Ramke, and starring Andy Rodoreda as a father who must protect his young daughter (Ruth Venn) during a zombie apocalypse. It was made for the Tropfest short film festival, where it was a finalist. It went viral after it was uploaded to YouTube, and it was featured on many web sites.
After a car crash knocks him unconscious, a man wakes up to find that his wife has died and turned into a zombie. He leaves the car, grabs his young daughter from the rear, and realizes that his wife bit him while he was unconscious. After an emotional goodbye to his wife, he sets off to find survivors.
Knowing that he does not have much time left before he turns into a zombie, he puts his daughter in a baby sling, binds his hands to a pole, and attaches carrion to the end of the pole. After he collapses, he rises again as a zombie, and, drawn by the lure of the carrion on the pole, continues his journey. Drawn by a balloon that he attached to himself, a sniper shoots down the man, and several survivors approach on foot. Two male survivors beckon their companion to join them in digging a grave for the man, but the female survivor investigates further, eventually finding the baby.
Ik ben in Amsterdam geboren, drie hoog op de Bloemgracht,
waar je in je nest kon horen, als buurman heilie maakte snachs.
De straten waren om te spelen, we zwierven door de hele stad.
We geloofden nog in eerlijk delen, jatten appels op de markt.
Hee Amsterdam, ze zeggen dat je bent veranderd,
Hee Amsterdam, je kan geen goed meer doen,
maar wie dat zegt die is geen Amsterdammer, want Amsterdam
je bent nog net als toen.
En kom je terug na heel wat jaren, zeggen ze "Mokum, dat is dood."
Maar ik geloof niks van die verhalen, als ik zo door de stad heen loop.
De kooplui staan nog steeds te katten, De Nieuwe Dijk drukker dan ooit.
Ik zie een jochie appels jatten, nee Amsterdam verandert nooit.
Op zondagmiddag naar de Wallen, en als je langzaam liep dan zag je meer,
Onopvallend met z'n allen, de ... ... tien keer op en neer.
En zondagavond was het knokken, het hinderde niet tegen wie, tot de
politie dan kwam fokken, dan vochten we wel tegen die
Hee Amsterdam, ze zeggen dat je bent veranderd,
Hee Amsterdam, je kan geen goed meer doen,
maar wie dat zegt die is geen Amsterdammer, want Amsterdam
je bent nog net als toen.
Die dronken vent die in 't portiek lag en m'n ma die dorst niet
naar 'm toe. Toen Pa vroeg of tie soms ziek was zei die:"Nee,
alleen maar moe." Dus zoveel is er niet veranderd, junkie ligt in 't portiek
En naast me vraagt een Amsterdammer:"Hee Har, is ie
nou moe, of is tie ziek?"
Hee Amsterdam, ze zeggen dat je bent veranderd,
Hee Amsterdam, je kan geen goed meer doen,
maar wie dat zegt die is geen Amsterdammer, want Amsterdam
je bent nog net als toen.
Want vreemdelingen-junkies-rellen, ons maken ze ermee niet bang,
Ze kunnen ons nog meer vertellen, 't hoort allemaal bij Amsterdam
Hee Amsterdam, ze zeggen dat je bent veranderd,
Hee Amsterdam, je kan geen goed meer doen,
maar wie dat zegt die is geen Amsterdammer, want Amsterdam
je bent nog net als toen.